Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
一星是因为编剧完全没有想到这是一个孩子会看的电影。主角是个10岁小男孩，不听教诲、不守规矩、到处惹祸⋯最后还成功了🙀应该教小孩坚持梦想才能成功，而不是为了自己而喜好祸乱旁人。
好烂的剧情和人设。小男孩的主角光环真的尬到我了，一个无理取闹的熊孩子能硬生生塑造成一个大英雄我也是醉了……不过小孩子倒是会很喜欢，也算是还行了吧
国漫都“崛起”多少年了，依然还能在春节档看到《小虎墩大英雄》这样全方位平庸，毫无亮点可言的动画电影，简直出乎意料。
今天看的，八十多个座位的影院坐了50多个人。3D效果还是挺好的，大人孩子欢笑不断，虎年有这么个国漫作品陪伴还是不错的，不知道为什么有人那么恶毒的去贬低《小虎墩》？
感谢 #小丸子观影团# 组织看 #小虎墩大英雄#带着两个孩子去看的，小虎墩的形象很可爱今年又是虎年很有年味呢，小小年纪这么勇敢，孩子们的感触也很多，必须满分评论！
MCU虽然也以片尾彩蛋为卖点，但也会保证正片的质量，不至于像两部《毒液》那样本末倒置。
其实很欣赏“小虎墩”这个造型，很传统，也很讨喜，只是最大的问题还是讲故事的问题，故事讲得不好，有些情节比较夸张或者牵强，创造性不够。而且个别段落竟然让虎敦儿生厌，这不应该。但不得不说，国漫现在的画面没有差的。希望可以努力让“小虎墩”能成为经典IP。
陪宝宝看的，只为找一部可以吸引他的动画片，可能他现在还不太懂，随便磨磨耳朵罢了！
面向小朋友来讲 也许还不错 所以多一颗星星⭐️
烂片出神曲szd，最好的part竟然是《虎啸春来》。。。。。
这部片可能是春节档里最大的遗珠，排片也太过于低调了。“镖局”“国画”“武侠”“虎年和素”组成的冒险故事，满满的江湖风，有笑有泪又促燃， boss 有反转，细节和包袱促足。第一次发现“神奇拖后腿”’是个好词，回想就觉得好笑。促值得亲子观者！
这个才正常，有眼睛大的也有眼睛小的，各种不同的风格，而不是都一样
终于看到了中国动画未来的希望！加油加油！简单真挚！
就是迎合虎年的小虎墩，嘻嘻哈哈恭迎本命年喽。
4.6看完 后面其实还好，本来想评1星的，后面有煽情部分和杨镖师真的很厉害，两星
唉，怎么说呢，有很多熟悉的影子，而且内核和剧情逻辑立不住啊。让一个11岁的孩子去危险送镖，以完成个人成长，是认真的吗？不建议让孩子们看，容易误导孩子们。很多桥段是为搞笑而搞笑，太生硬了。
跟着小朋友看动画片，制作挺精良，故事有点意思。
🐯虎年大吉🐯
动画不好做。可这么个造型不行，故事不行，整个一个不走心的制作，适合叫电影吗？
谁还每个少年中二的时候呢
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