The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
我是冲着女主来的 由于普罗米修斯 所以她演啥看啥 接连看了羊和蟹 现在有点失望 接的都是啥片子啊！服了！
无聊了，而且不知道意义何在。剧本很重要哦，你们什么时候才懂。
不知道说些啥。
景色拍得不错，女主的行为逻辑不对头，前面动机是一切为了女儿，哪怕知道是可以毁灭全人类的病毒也不在乎，后来女儿没有了就变成了要拯救全人类啥也不在乎了，全人类真是谢你女儿八辈祖宗了。
当爽片看，剧情流畅但逻辑不能深究，例如敌人怎么来的一点没讲，目标地开始是敌人大后方后面又变成己方基地，明明有一堆飞机却要用冰面滑行的方式执行任务，网飞拍的都是这种就点子不错最后成流水线的片
3星，没想到还可以，除了人物造型有点一般，剧情明快活泼，国产动画剧情水准之上。
故事一般，全程几乎靠虎墩的意气用事惹祸增添冲突来推动剧情，唯一的笑点在于：前期铺垫黑大王的绝世神功，最后原来是个降智版傀儡“裘千丈”。这个反转确实哭笑不得，外加上气不接下气的一句“这绝对是难得的高手”简直笑出腹肌。
感觉是逻辑好不通，但滑冰送病毒这个点子有点独特的，整个基调都是萧杀 ，搞了半天要毁掉，也是醉了
瑞典的现代战争片，像玩游戏做任务一样，所有的队员都战死了，很真实，在冰上战斗的场面非常好看，滑冰，冰破裂，背叛，狙击，最后挺感人的，让我感受寒冷条件下战争的魅力
横渡冰河是最大的看点，剧情太简单，女主为了见到女儿历经千辛万苦完成任务，最后发现被利用，跟病毒同归于尽，话说瑞典人都是天生的滑冰好手吧
这女人自私自利,明知病毒会毁灭人类,为了见到自己家人，宁可杀死队友也要把病毒送过去毁灭人类，发现女儿不在基地,又想毁灭病毒怕女儿感染？从不考虑其他人！最后活下来的男人反倒还算伟大无私一些,一直都想毁灭病毒,哪怕自己已经安全了还冒着生命危险去帮这个自私的女人！
给两星纯粹给画面和音响，毕竟杜比视界和全景声效果不错。至于情节，屁。
影片的美术还是差一些，杨总镖的脸捏得太憨厚了，简直路人。远全景的画面不够丰富，局部细节也一般。如果全片采用闪回时的2D动画效果，能使整部电影更成熟，武侠氛围更浓厚，口碑也会更好。
一个任性胡闹的小屁孩儿，到处逞英雄添乱的麻烦制造机，总有人给擦屁股，却还对维护自己的人口不择言…… 编剧是不是对小孩子的童真可爱有什么误解…… 这种价值观真的能帮家长们教育孩子吗？？谁家孩子以此为榜样，也是离鸡飞狗跳不远了。
一切都是因为母爱。
-在这场该死的战争中，
对价值观的思考为啥不仅原地踏步，甚至浅薄了
彻彻底底烂尾了，女主可真是自私到极致
电影完成度太低。早期看抖音里虎墩的人物形象，确实有可做动画电影的可能。但事实是制片公司、编剧和导演，对故事架构、人物刻画、推进剧情等等的技能太欠缺了。还敢上春节档，简直是太自以为是……
没有环境背景交代，
Copyright © 2015-2023 All Rights Reserved
