Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
帅哥不值得好剧本吗 无语
好看！可恶的骗子！死去吧！
之后毛发该变长，变红，变粉，变蓝（哦本来就是蓝色），变灰白。。。。。
剧情这回稍有点累赘和多余
金凯瑞仍是亮点。
就一个简单的电信诈骗，棒子都能拍出紧张刺激感，而咱们总是以纪录片的形式拍摄，是不是该反省一下了？
韩国犯罪片已经达到随便拉几个演员和不管什么题材都能拍得好的境界了。男主差了些，但其他演员把诈骗者的贪婪表现的淋漓尽致
反诈骗教育片，典型韩国工业电影，在选材上与《巨额来电》《反诈风暴之不可饶恕》《反诈风暴之情爱迷局》《反诈风暴之罪恶来电》《反诈风暴之猫鼠之战》《反诈风暴之陌生号码》类似，剧情也与这些类似，不过没有拿着真实案例改变的我国电影扎实，主角身份背景逻辑与战狼2类似，非身份才能异国动手，大量使用室内棚拍来压低预算。
I’m too old to watch this.
这把电信诈骗团伙描述得太美好了一些，现实哪有那么多活口
为了金凯瑞来看的，他是最大的亮点，坏蛋也不是那么好演
烂到爆炸就算了，还夹杂老美丽意识形态输出，恶心
电话诈骗产链部分的呈现是具有原创性的奇观，然而有嫌于造作的地方。动作戏和紧张感方面及格，整体剧本只是中规中矩。
但是我不明白，为什么要用西安冒充沈阳？！👀
【C-】蛋头博士就算手持绿钻化身成为万磁王建造环太平洋机甲，也不敌超级赛亚人索尼克。
两星半，初衷是让合家观赏了解电信诈骗，然鹅晚饭后我刚教他们如何进行人脸支付……
蛋头博士何尝不是一个鲁莽乐观，永不言败的反派呢！你可不能放弃啊
第二部更丰富但是满满的美国队长钢铁侠换皮特效关键彩蛋还有第三部
游戏改编的作品就不能报太大的期望，一般般吧，不如前作
高于预期，我爸去韩国之前拉过来一起科普一下。
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