The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
一星给最后两人在天台抽烟的暮光。另外表示，就这？！
喜欢疯批破碎感高高在上大姐姐人设，代入简直发疯。消失了我也发疯。男的看起来好猛的样子，好磕这种坏蛋为了大姐姐变忠犬 被神伤被大姐姐摆一道
很烂 很讨厌这种矫揉造作的女主人设和电影风格 男主在床上的镜头比较帅
3.1 这样的片都是看个开头。套路也有拍得不错的，这个当然不是。
主演系青春剧集《流言教主》的女主角，备受关注的本剧是根据描述生活在纽约上东区的两位得天独厚的少女的生活的畅销小说改编而成，由凭借《橘子郡男孩》一鸣惊人的编剧JoshSchwartz一手打造。以美剧《表面之下》(Surface)闻名的女演员。没想到红颜易老，如今的她如此憔悴。
标题应该是“不去想一个人”，副标题应该是，"纯情皮条俏嫖客"，最大输家其实是男主，家被拆，死了老爸，失去了爱情，街头还在拉皮条，最后还被人轰出了酒店大堂，尺度说大不大没露点，说小不小各种激情互动。结构整体松散，无聊。女人是火星男人是地球，真是能说走就走，说放下就放下，有钱的女人更是如此，有钱人的烦恼穷人永远不懂。
很一般啊，后面蛮乌龙的。还以为那个房主or司机会是最后的大boss。。。。
虽然几场情欲戏是表现的很真实很有张力，但点都没露也能叫“演出突破尺度”？阶层不同再怎么付出最终也是不可能在一起的，不过能和女神几度春宵男主也该知足啦。今年貌似以及看了很多部“高委员”陈以文出演的电影，纳豆怎么总是演这种外表木讷内心却纯情的角色。
视线感官的双重拉扯,加上剧情人物的撕裂感
本片翻拍自2014年韩国电影《走到尽头》。翻拍的中规中矩，自身也没有特别的亮点。
开画廊，满足人的精神追求；拉皮条，满足人的身体需求。服务的人的阶层不同，但回归到作为人的基础，也都在“得意”与“失意”之间不断切换。一时一刻，不必追究～
6.5-7分，像是进展平滑的剧本杀，没有高低起伏；最大破绽在于Rob和男警身高差太多不应该看不出来…不过观影体验还可以
女主好看 剧情太粗糙了 还以为有啥了不起的反转😓
腐败警察肮脏交易，突破下限昼夜不停。原作《走到尽头》无疑是很成功的，李善均饰演的坏警察很有节奏感，以致于对本片的光头腐警始终没法代入。真理：如果原作很诱人，再看翻拍片只会让你更想念原作，如果原作很一般，翻拍片只会更让你讨厌原作。
不管你是底层社会渣滓，还是衣冠楚楚的上层人士，层层压榨层层剥削谁也跑不了，都是食物链上的一环，来自他人的温暖只是不想孤独一个人的错觉
周末看的，和电影名字非常呼应了🤣 这个电影告诉我们不要周末去和闺蜜出去玩
这是一部全是bug。还暗戳戳加了很多私心的烂片
垃圾电影，看到这样的无脑女主真生气，最后女主知道自己的老公是杀人凶手，在那跟他理论起来了，根本不考虑自己会不会被灭，一点都不符合正常人该有的思路，编剧是在那骗傻子呢
好无聊好套路的剧情，但凡多放两分钟克罗地亚美景都能多一星。女主一发现点证据就往厕所钻是什么毛病？
it’s a joke.我也是闲的心慌能看完了…..
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