With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
拙劣又俗套的模仿实在尬出天际。除了姜河那的部分其他都是如坐针毡，看得人哈欠连天
真的是跨年剧，20211231看了一半20220101看了另一半。跨年剧最重要的是Happy Ending，鼓励大家继续向前开启新一年。所以要求也不用太高！
韩国的一部热热闹闹 轻轻松松 温馨温暖的爆米花贺岁片 全明星阵容 颜值在线 演技在线 不知道有什么理由不看呢 里面竟然还有好久不见的徐康俊欧巴 天啊 这该死的魅惑容颜 那迷死人的双眼 感觉看我一眼我就直接死了~~
没有perfect完美契合的“soul mate”。人会因身边的人与经历的事而调整变化，这就是磨合与妥协。看似般配的理所当然的律师数学家，出版顾问麻醉师组合也一样要经历关系里的挑战坎坷，而律师麻醉师，出版顾问数学家的意外组合却也碰撞出不一样的动人火花，本人更愿意站后者CP。
看到一众熟悉面孔还蛮好玩的，不过李栋旭那条线的故事是真的很老套
老套又怎样，俊男靓女养眼，主题温馨，画面美丽，ost感人，太适合年末年初了！新年快乐！2022放手去做，大胆去爱，希望大家都能有新收获
剧情老套，但是很适合放松心情观看。大概剧情都能猜到。
人物性格不怎么鲜明，没看出谁跟谁更灵魂伴侣，剪辑非常之差。
突然想起很多年前的那档台湾综艺节目，雅倩你猜你猜你猜猜猜。
声名鹊起的歌手徐康俊和对他有知遇之恩的李光洙面临新公司签约的分手
网络电影发展到尽头，白骨精爱上关羽或丧尸大战貂蝉都能忍，这样一味的毁坏经典作品，就是犯罪了，该去判刑。
勉强四分 在2021.12.31这个特殊的时间看 都是熟面孔啦！时间点很有意义，不过导演给韩智盿安排的这条感情线有点牵强。
有点意思 四个人两段人生不同体验 看到最后总结就是 男人都很渣只是表现在婚前还是婚后 这么看来好像婚前很渣反而挺好 女人有孩子前后变化也很大 但也不一定的事 还不错 挺好玩的
罗马城市的航拍，意大利的叠排，两段随机搭配的感情，好的变坏，坏的变好。爱就是随机+平衡，四边形是不稳定结构
灵魂伴侣究竟是悖论还是真实存在，坚信存在但并不一定会发生在一生之中
作为一部网大，能够有这种质量，就已经在及格线之上了。这部电影改编的挺好，再加上演员的演出，五分是希望导演之后能创作出更加好的影片。缺点当然是有，但是瑕不掩瑜，如果把情感的过度拍的详细一些就会更好。
温馨的爱情拼盘 营销一下可以称为韩版《真爱至上》
一位轻度脸盲看完片，疑惑地问：我怎么感觉每个人都互相睡过？到底谁和谁是一对？……哈哈哈，导演目的达到了，就是用迷惑之心探讨：爱是不是盲目？会不会因为细小的感觉差异，就会造成人生是花好月圆还是阴差阳错。
7.0 还挺喜欢这样的小品的，一开始觉得切换的不够分明，后来觉得导演就是故意混淆视听的。也挺同意他的爱情论点的，经营比sole mate更重要。唯独缺了女女和男男配，那就玩嗨了。
太长了 河那寻死和光洙哭的部分还蛮搞笑的 经理和保洁员的部分 别再给我们这样的幻想了 里面的歌还蛮好听 想知道是不是真唱
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