The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
没那味了,就很合家欢的动画,一点哥特风都感觉不到了
怎么一个爆米花犯罪片竟然认认真真探讨了婚姻生活和女性生育焦虑
还以为结局总会有些新意,会和我想的不一样,结果没有。
跟过家家似的,看的时候也就打瞌睡了十几次吧。
法律过于宽松不符合逻辑,但是整部电影很轻松,不错啦
节奏确实一般,没有原版的厚度,有珠玉在前,还是差了一股劲
“这批优惠券这么真,肯定不是中国造的,因为中国造不出来。”
亚当斯一家版的《走遍美国》。
觉得7分差不多
故事比较平淡,侦破过程毫无高潮,最主要代入感不强
Don’t fuck with the post office
完全就是偷窃来取得钱,这样也可以逃脱诶,漂亮国的法律我不懂。
different is what addams for
整体来说还不错,爆米花电影,思路比较新颖。
原版的王千源太惊艳,有点偏纪实的风格,翻拍就感觉商业化了好多。
全程开挂,顺利的不行啊……但这片子表现的三观实在惊人的无下限……
跟原版的解救吾先生没法比 翻拍跟闹着玩似的 绑匪看上去都特傻 还有一个特疯哪里是为了钱 男主黄政民还不错
《绝命毒师》之“绝命消费券师”。把一个欺诈故事拍得有种莫名的正义感,更把故事上升到要在世界发出声量的主旨- -从《舞女大盗》再到接下来Pete Davidson那部炒鞋的电影,STX这类“流行文化”犯罪式喜剧+电视/喜剧咖狂欢的组合驾轻就熟,也永远吃准人;作为假日电影,再好不过。Bell妞和Kirby恰好也在《善地》合作过,有火花,还圆上这是两人在剧集宇宙里“生前”的生活的另类想象;Paul Walter Hauser也再次证明自己值得一个单人的查案片,《库伊拉》后渐入佳境。整体卡司讨喜,让人放松- -对喜剧,也就这点奢望。
没有前作有趣,闹腾,就是个闹腾。家族爱的包装也单调极了。
那不通情达理的死胖子一直诋毁中国,结果最后还做了件吃力不讨好的事情,别人用11个月的刑期换了500多万美元,他自己啥没得到,商家也不打算上诉;想起来好像之前国内有个女的也是因为薅羊毛被抓了
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