Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
错位的青春、错过的爱情，幼稚的脾气、做作的宣言、沉痛与发泄、离别与寂灭，结尾有些泄气。
3. 以为是我最中意的类型片 原来是个搞笑片. 俗称 换皮泰囧.
小外甥选的电影，影院里都是小盆友～整体还成吧，里面很多梗是给大人看的
是一部可以跟着哈哈乐的可爱动画……以及马阳对这种略带偏执和白切黑的角色掌控力简直带给我太多惊喜了！最戳的点是所有人都抱走胖圈儿剩下小白一个的情景，声画配合代入感满分～小白辣么可爱！北极探险队能不能给它多加件衣服啊！！
没有疼痛到我的原因绝对是犯罪和暴力情节特别莫名其妙吧，男主角真的跟白活了一样。
挺欢乐挺温馨的，虽然故事老套，但是动画片嘛对我而言追求个治愈+开心+可爱就好了
不太理解为什么现在动画片要起这么长的名字，都要假装系列吗？我甚至片名都没有耐心读完
皮特好帅，查宁也挺帅hhhhh 很普通典型的搞笑爱情片，看预告就知道是什么故事了，但最近还挺想看看这种没什么营养的片子，和预料的一样
带小孩去看不会无聊、不会尴尬，电影的美式喜剧动画。在这个被主旋律电影充斥的国庆档我可太幸福能遇见它了。菲拉萌好可爱！
算是较为忠实地还原了浅野一二○笔下的青春纪事。男主角有点像神木弟弟，女主角则像伊藤沙莉，但可惜选得都不够好，本来摆在漫画里比较自然的关系因为选角的错位而错位，反倒是演配角的青田真渚反倒有几分神韵。不过浅野的漫画主角其实是背景，虽然这点在电影里也处理得蛮一般的，但也算是小成本日本电影的合格线基准了。题外话：果然还是不要盲目用“可能会有人用过的”版权曲，wag那首主题曲老是让我想起3unshine……
插入happy ending的那一段还可以啦
作为一部喜剧片还是可以啦，当然我只认为它是喜剧片，看见男主我就会发大水惹，火舌招惹，我鼠了，想舔
作为一个光合的粉丝，当然没有错过这部电影。
很萌很可爱，但是台词能不能别再堆砌网络语了……
3. 以为是我最中意的类型片 原来是个搞笑片. 俗称 换皮泰囧.
没有那些很秀的网络用语，还能加颗星。剧情流畅，反正比我上次在电影院看的猪猪侠好看。
挺欢乐挺温馨的，虽然故事老套，但是动画片嘛对我而言追求个治愈+开心+可爱就好了
除去weg的配乐 happyend的插曲 ..（）
笑点是可以的，冒险部分纯粹诈骗了。配乐有点儿意思，音效也给得很足，就是没事儿可以下饭看看的片子，看完也不会被尬到以至于跟噎了苍蝇一样（此处对比同期某屠房的喜剧大片），但除此之外也没什么了，还有说比神秘海域惊险的，只能说客观影评别拉不搭嘎的来骗完咱疲惫社畜下班后的消遣时间吧，看得困死累死我了。
剧情比较无聊，主打的应该还是喜剧，可惜笑点太少，谈不上多有趣。布拉德皮特的客串算是个亮点吧。
Copyright © 2015-2023 All Rights Reserved
