Once upon a time..... products were made to last. Then, at the beginning of the 1920s, a group of businessmen were struck by the following insight: 'A product that refuses to wear out is a tragedy of business' (1928). Thus Planned Obsolescence was born. Shortly after, the first worldwide cartel was set up expressly to reduce the life span of the incandescent light bulb, a symbol for innovation and bright new ideas, and the first official victim of Planned Obsolescence. During the 1950s, with the birth of the consumer society, the concept took on a whole new meaning, as explained by flamboyant designer Brooks Stevens: 'Planned Obsolescence, the desire to own something a little newer, a little better, a little sooner than is necessary...'. The growth society flourished, everybody had everything, the waste was piling up (preferably far away in illegal dumps in the Third World) - until consumers started rebelling...
本来气质挺好的，反转多了就俗了，做西装就做西装，加那么多设计还叫西装吗
葬礼上那个笑话颇有坟头蹦迪的功效，那是北野武骨子里最糙的温柔。
如果把十三郎作为主角，北野武作为小配角，能挖掘出矛盾冲突远比一个头重脚轻的励志故事要好得多。时代的洪流，个人的悲歌，谐星的刻画，都是靠十三郎呀。
反转地球～yoyoyo 咱就是说，这电影到底多省钱
非常精致的一部室内电影，从头到尾都发生在一个布景里，很有舞台剧的感觉。悬念和twist开始很精彩，从中后期女主加入故事性就开始变弱甚至越来越强行了。老裁缝一胳膊十二生肖的reveal简直毫无意义。虽有些虎头蛇尾，但我觉得总体呈现的还是不错的，也很好地控制了时长。
气质独特
剧情推动全靠各种巧合叠加
人生如戏，戏如人生。北野武这小老头真有两把刷子
如果不追求完美，就做不出好东西。
小场景话剧电影，片子质感硬朗，不停地反转，嘴遁杀手牛逼。
文本太精彩了，丝毫不觉得乏味枯燥！花小钱办大事，赶紧改成话剧吧……
螺蛳壳里做道场，原来是《模仿游戏》编剧当导演，the perfection is necessary goal precisely because it is unattainable, if you don't aim for perfection, you cannot make anything great, and yet, true perfection is impossible,
看过北野武自传《无聊的人生，我死也不要》后就会知道，他年轻时在浅草的生活可比这部电影里要燥多了哈哈哈。
虽然反转自然也聪明，但捱不过前半段实在太拖沓，最后想鼓掌可拍不下去手。
影帝的老年妆乍一看还以为是北野武真人来客串了，最后的师徒情还是让人有点动容的，可是千春小姐啊，唉……
"I'm not a tailor, I'm a cutter."
姜还是老的辣，而且还是块很有天赋的老姜！虽然反转和高潮没有太大的惊喜，但是就是很有味道。不像可乐一样刺激，但像咖啡一样让人不眠。
影帝的北野武，那种凶的气场一下子就能找得到（除了少了一点年迈感我还真以为是那个男人）。怪不得北野武看起来那么凶又那么温柔，原来是师父就喜欢八嘎八嘎八嘎啊。所以北野武看了会不会评分吖
再次印证网飞不擅长出品在地化电影。多一星给演员
他是一个cutter，不是tailor.
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